We start with a G major arpeggio but quickly switch to a more pentatonic approach, using a similar picking style to Example 1. The C major arpeggio in bar 3 takes a one-note-per-string approach ...
Figure 2 shows a rootless A9 arpeggio played ... upon the chord’s major 3rd, C#. When the progression moves to D7 in bar 5, I similarly describe a D9 sound (D, F#, A, C, E) by playing the ...