Yet over time, Judd himself seems to have retreated from view. The survey of 70 works that opens at the Museum of Modern Art on March 1 is the first in New York in more than 30 years. It’s a ...

“Painting and sculpture have become set forms. A fair amount of their meaning isn’t credible,” wrote the artist Donald Judd in 1965, when he was in his mid-30s. Over the next three decades ...

Judd’s extraordinary connoisseurship shines in the reviews he wrote—some six hundred of them—between 1959 and 1965, most for Arts Magazine.Gathered in a cherishable book, “Donald Judd ...

Donald Judd is perhaps the most influential, least lauded artist in this category. ... The boxes that result are slick, gleaming, and perfect, such as a smaller brass number at MoMA from 1968.

It turns out that a massive Donald Judd retrospective in an empty museum is salutary for his art, ... he made another box of almost the same dimensions — brass this time, no pipe. In 1973, ...

The coinciding exhibitions and installations—at David Zwirner, Gagosian, Mignoni, the Judd Foundation's 101 Spring Street location, and Salon 94’s TEFAF booth—respond to, complement, and ...

The first American Donald Judd retrospective in over 30 years is an ode to material and spatial transformation.