News

We Are Still Here," an exhibit by Native American photographer Scott Strong Hawk Foster, is on display through July 30 in the Great Hall at ...
Dozens of Native Americans representing tribes from across the country came together March 11 to celebrate their culture in a powwow at the University of Maryland in College Park.
A new exhibition at the crossroads of art, history and technology chronicles the beginnings of early American photography. Titled “The New Art: American Photography, 1839-1910,” the show at ...
For many colonists, the American Revolution provided the opportunity to continue displacing Native Americans. This book provides an account of the role of Native Americans in the Revolution's outbreak ...
Life for Native Americans in the U.S. has been marred by both resilience and heartbreak. From the Great Plains in Texas to ...
More than two dozen Indigenous artists from North America, Aotearoa and Australia from a diversity of backgrounds will be represented at the Gorman Museum of Native American Art’s new exhibition at ...
Photographer and member of the Hassanamisco Nipmuc Band, Scott Quanon Menuhkesu (Strong Hawk) Foster, is sharing glimpses ...
Robert Sullivan writes about the Shinnecock photographer Jeremy Dennis and how he uses his art photography to tell the history of Native American people.
In some works, Native photographers flip the colonial gaze, like in “Indian Photographing Tourist Photographing Indians, Crow Agency, Montana,” by Zig Jackson (Rising Buffalo).
Assuming that her genetics would match up nicely with those of other early Native Americans, the researchers were blown away when the results finally came in. This little girl was different.
Installation view of "The New Art: American Photography, 1839-1910" Eugenia Tinsely / The Met Rosenheim believes that early photographic portraits empowered working-class Americans.