But why worry about the absence of tempering malice on the printed page when we can reacquaint with the hand of the master, Francisco de Goya, in a show of drawings and prints that feels both ...

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A suggested Goya-like caption for our times (the artist worked text like a graphic novelist): “This is not a movie.” Goya was, as the critic Robert Hughes wrote, “the first great artist to ...

these monsters of imagination, who brought with them a mythology of supernatural creativity cloaked in the haze of stupor – these were haunting figures born of opium dreams. Goya was haunted by them ...

“If the painting is a studio work, then the artist borrowed the figure of Colossus from Goya’s print,” McDonald wrote on the museum website. “Given his imagination and ...

But why worry about the absence of tempering malice on the printed page when we can reacquaint with the hand of the master, Francisco de Goya, in a show of drawings and prints that feels both ...