The stunt cleverly tested—and demonstrated—a new dimension in which performance art can gain traction today: as content.
A fellow Dutchman, Rembrandt Harmenszoon van Rijn (1606-1669) is widely regarded as one of the greatest artists of all time.
"Rembrandt’s Judas Returning the Silver of 1629: Visual and Literary Associations," in: Ekphrastic Image-Making in Early Modern Europe, 1500-1700, Walter S. Melion and Art DiFuria, eds., Leiden and ...
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