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How to use CAGED shapes in conjunction with pentatonic scalesUsing the C shape, I’m doing little more than quoting B major and C major arpeggios here, reflecting the changing chords in ...
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How you can use arpeggios to imply dominant 9th chords in your solos (it's easier than it sounds!)Figure 2 shows a rootless A9 arpeggio played straight up and down. These four notes ... major 3rd, C#. When the progression moves to D7 in bar 5, I similarly describe a D9 sound (D, F#, A, C ...
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