Over Zoom I spoke to Koepp about writing within the confines of the film’s single point-of-view, the value of what’s left out of a story, dreams and screenwriting, and his thoughts on the business of screenwriting today. Presence opens January 24, 2025 from NEON.

The inventive director embraced POV filmmaking on "Presence," his haunted-house film shot from the spirit's perspective.

The writer teams with Steven Soderbergh on this haunting story with a twist: The entire film is shot from the point-of-view of the ghost.

Steven Soderbergh often applies his brainy, process-based approach to new genres; with Presence, he tries his hand at ghost-story horror.

There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.

Steven Soderbergh's "Presence" is an unconventional haunted house story told from the perspective of the ghost -- and we've got the details.

The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.”

The entire film is shot entirely from the ghost's point of view, the audience haunting a family that has recently moved into a New Jersey home, not realizing that something was already living there. Critic Sean Burns says it's a great gimmick,

In Steven Soderbergh's supernatural thriller Presence, a family finds they aren't alone in their new house. It's a ghost story told masterfully from the ghost's point of view.

Presence may not be your typical horror movie, but that doesn't mean it won't leave you a bit shaken up.

What if a ghost could tell its own story but not speak? That is the wildly compelling premise of Presence. Director Steven Soderbergh reteams with Kimi screenwriter David Koepp for an unconventional haunted house story,