Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory with ...

Bass baritone Douglas Ray Williams relied on over-played masculine bluster as Achilla. In the role of Tolomeo, countertenor ...

The 1996 musical “Ragtime,” based on the E.L. Doctorow novel about intersecting cultures in early 20th century New York, ...

At Hudson Hall, the director R.B. Schlather leans on artists and musicians from the community. The results have made for ...

I learned music theory through workshops at New York’s Sing Sing prison. I earned my stripes by singing for boisterous crowds ...

From a high-flying, world-class pianist to “Zorro,” a new opera, there is a lot to see and do in the Bay Area this weekend.

At a time when it seems like anything remotely resembling stability is being ripped up and tossed into the breeze like so ...

The term is applied to radically different compositions across more than 1,000 years of history. We need a better definition.

Schlather maintains that the scale and flexibility of Hudson Hall is ideal for the immediacy of the Baroque repertoire.

When classical music jumped onto another screen.

Artistic collaborations come in different shapes and sizes, but none have been more visibly impactful recently in the ...

Opening with the firecracker-esque “Haffner” symphony, the Boston Baroque orchestra handled Pearlman’s sprightly tempo with ...