The top three notes give us the b9th (Eb), the 3rd (F#) and the 13th (B). This Gmaj9 gives a nice finishing chord, meaning ...

In this video, I walk through my personal routine for practicing altered dominant chords—especially rootless voicings for #5/ ...

We get different voicings of a chord when we shuffle the order of the notes around. Though we still have the same chord harmonically speaking, it will have a slightly different character.

Inversions are essential for jazz players, virtuoso cats such as Martin Tyler, but they are super-useful for any player ...

Bm7 is just the ticket for a moody minor blues; if you improvise around this chord, try using the D7 shape four frets higher to create a Bm7 and F#7 progression. We've played this blues line ...