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In 1949, when husband-and-wife design team Charles and Ray Eames built their dream house, Case Study House No. 8, in Pacific Palisades, California, every furnishing had a sense of place and purpose.
Details Charles and Ray Eames designed their lounge chair and ottoman for Herman Miller in 1956, and the couple’s masterpiece became an instant classic of midcentury design as models 670 and 671.
Herman Miller Finally Creates The Eames’ Dream Plywood Chair Using a three-dimensional veneer-molding technology developed by German company Reholz, Herman Miller finally gets its plywood shell ...
Evolution has been built into the DNA of the Shell Chair. The original designs by Ray and Charles Eames were made from fiberglass with the introduction of bent wire the following year. When ...
Now, more than 70 years later, the Eames Institute had the cat chair scanned and faithfully reproduced by Vitra and furniture company Herman Miller, down to the hand-drawn whiskers.
Herman Miller The Shell Chair is often imitated and more often completely knocked off from the Eames original. It took 11 years after notable designers Charles Eames and Eero Saarinen sought to design ...
Anne Flynn Wear// Assistant Managing Editor // May 15, 2023 NEW YORK – Herman Miller and Vitra have partnered with Eames to launch a limited-edition of the iconic Eames fiberglass shell chair that’s ...
Herman Miller Introduces Bamboo-Based Upholstery to the Legendary Eames Lounge Chair and Ottoman: The plant-based leather alternative helps reduce the chair's materials' carbon footprint by up to 35%.
Herman Miller, the furniture company behind venerable designers Isamu Noguchi, George Nelson and, indeed, Charles and Ray Eames, has officially entered the gaming fray. Collaborating with Logitech G, ...
The sleek curvature and durability of their chairs has made them a staple in offices and homes, although the current $5,000 price tag for an Eames lounge chair at Herman Miller rather belies the ...
The pair have a longstanding affinity with the work of Charles and Ray Eames, and Herman Miller respectively – both from an aesthetic and conceptual standpoint.