At the Detroit Opera, Yuval Sharon reimagined Mozart’s tale of infidelity for the age of artificial intelligence; at the ...

There’s more to Verdi’s “Luisa Miller” than one great tenor aria. But that aria can make the evening unforgettable.

Last year's new production of Carmen from Damiano Michieletto won critical acclaim. Directed as a verismo piece, Michieletto ...

Rodgers and Hammerstein's show had a pre-Broadway run in Boston. While still enjoyable, this anniversary production "might ...

In Reservations for Two, veteran chanteuse Sue Matsuki and musical director/pianist Gregory Toroian celebrate an ...

Unlike many works by Puccini, Verdi or Wagner, Mozart’s operas demand charismatic singing actors working closely together with a minimum of diva/divo posturing.

Opening with the firecracker-esque “Haffner” symphony, the Boston Baroque orchestra handled Pearlman’s sprightly tempo with ...