How often do we really examine curatorial contributions – not simply to an exhibition, but to the care and display of ...

Illness meant that we missed the window to publish our usual pick of the week’s arts, design, film and music events from ...

“What would Liverpool be without it?” On the eve of Liverpool Biennial 2025, C James Fagan ponders his sometimes complex, on-going relationship with the UK’s largest festival of contemporary art… It’s ...

What does it mean to be sixteen now? Joshua Turner explores a photographic project looking to get to the very root of that question… Portraiture is a mysterious pursuit. In Sixteen, a photographic ...

Psychogeography is more than the psychological effects of the urban environment, argues Maisie Ridgway. Here, she explains why the movement has become a political statement, a seizure of power and a ...

As we watch on as a struggle of binaries plays out in the US, ahead of the publication of her timely new book, architect and writer Professor Keller Easterling asks: ”What if political stances were ...

Arts and culture organisations have been anxiously waiting for their fates to be revealed this morning, as Arts Council England finally announce who gets the 2023-26 round of ‘National Portfolio ...

It was difficult and complicated, but you told us what it feels like to be working class and work in the arts. Last year, after much umming and ahing, hand wringing, and conversation amongst ourselves ...

A new exhibition at Tate Liverpool takes as its departure point the docks on which the building stands, before plunging us into the depths and beyond. Mike Pinnington reviews The Plant That Stowed ...

Featured in the Guardian and working alongside one of Britain’s finest authors, The Double Negative writer and freelance filmmaker Adam Scovell channels a very ...

The Scuola di Grafica, a centre for graphic arts, provided Ferry with studio space and accommodation. As Ferry investigated the locations in Venice used for the film Don’t Look Now, his studio space ...