Soderbergh talks to IndieWire about "Jaws," his 15-year project to write a book about directing, and working to get his entire film catalog in 4K HDR.
The camera is the ghost in Steven Soderbergh’s chillingly effective, experiential haunted house drama “Presence.” The filmmaker traps the audience in a beautiful suburban home, letting us drift through rooms with this curious being, in and out of delicate conversations as we (and the ghost) try to piece together a puzzle blindly.
I need to be scared of something,” Steven Soderbergh tells me as we sit down to discuss his new film, Presence. “Every movie that I have worked on, there’s gotta be a pocket of fear about some aspect of it.
“Presence” is a beautifully executed vision of a rather mediocre script. What makes it interesting is the POV “gimmick,” which Soderbergh demonstrates as a legitimate mode of cinematic storytelling. His camera movements take on such a human quality that we become emotionally connected to it as another character in the story.
The intimate supernatural drama stars Lucy Liu and Chris Sullivan as homeowners with an unexpected houseguest. With Presence, Steven Soderbergh Resurrects the Ghost Story: Review
There’s only so much that a person can hold before everything collapses.” With Presence now in theaters, Vogue spoke to Liu and Liang about preparing for their unconventional film—and their own relationships to the paranormal.
Steven Soderbergh's "Presence" is an unconventional haunted house story told from the perspective of the ghost -- and we've got the details.
Based on a true story, Brave the Dark stars British Academy Television award-winning actor Jared Harris ( Chernobyl) as Stan Deen, a high school English teacher who takes an interest in the reclusive and troubled Nathan Williams.
Steven Soderbergh’s new chiller takes place in one of the most troubled of all movie locations: an outwardly normal family home.
By confining the camera perspective to the viewpoint of its unseen ghost, director Steven Soderbergh scores with a crafty thriller.
If this is the best Steven Soderbergh's got for a smaller canvas, then I’d like to see him get back to making major-studio movies.