The Last Showgirl’ costume designer Jacqueline Getty unpacks Pamela Anderson’s outfits in the Gia Coppola-directed movie, which are rooted in the glittering history of the Las Vegas revue ...

Save John Lilly, all these titles were in the Bright Future section reserved for first-time feature filmmakers, which is nice ...

One (though it doesn’t start until Sun/16) is “40 Years of Queer,” a six-week roundup of LGBTQ+ titles at the Roxie, co-curated by that venue’s Lex Sloan and longtime Bay Area-based filmmaker, ...

Oscar-Nominated Cinematographers from Edward Lachman to Lol Crawley on Using Classic Techniques for a modern feel.

It also boasts a revelatory performance by newcomer Clarence Maclin, who in a just world would’ve nabbed an Oscar nom.

If nonfiction films are determined to look, feel, and move like fiction, what’s the point of nonfiction filmmaking?

The band's first officially sanctioned feature documentary focuses on the early days before "Stairway to Heaven." ...

There's something about the behind-the-scenes chaos of a TV broadcast that just makes for dramatic gold.

Based on transcripts of American photographer Peter Hujar’s (Ben Wishaw) interview with Linda Rosenkrantz (Rebecca Hall) and taking place in Rosenkrantz’s lushly imagined apartment, Sachs's latest ...

Running just 94 minutes, the drama unfolds almost entirely within the cramped, sweaty confines of the ABC control room.

The film’s sequences set in the week leading up to her death in 1977 were filmed on golden-hued 35mm film; scenes of Callas’ ...

Black and white cinema is alive and alluring. Whatever era they were filmed in, these incredible stories shine with talent, ...