David Lynch contributed with vocals and photography in his trademark surreal aesthetic to Danger Mouse and Sparklehorse's existential album ...

In an era where it often feels like no one knows what they are doing, there is something deeply satisfying about watching someone who does.

David Lynch’s daily visits to Bob’s Big Boy for chocolate milkshakes inspired some of his most iconic film ideas. Discover how this routine shaped his work.

Which is how he has come to dedicate an entire double album to the cinematic wild card described by David Lynch (who cast him in Blue Velvet as the wicked Frank Booth) as a “rebel dream guy”.

It doesn’t all work: Freakout At The Mud Palace sounds like a 1980s Euro house DJ trying to rock out, and Frank (Let’s Fuck) has Scott, casting himself in Hopper’s Blue Velvet role as the psychopathic ...

Laliko, in the West Village, finds memorable ways to bring the Eastern European country’s cuisine to the world.

Finally, we had a milkshake in Bob’s Big Boy Burbank where David Lynch wrote Blue Velvet. He saw Frank Booth come in one day and stand at the counter. You know Tuco in The Good, the Bad and the ...

The beautiful, idiosyncratic rhythm of baseball makes it a rich setting for storytelling, especially within one of our ...

Simply put, it’s tonally clunky. These aspects come to a head with the embarrassing “Frank (Let’s Fuck)”, an icky hard-rockin’ tribute to the demented villain of David Lynch’s Blue Velvet. Let us not, ...

He received to more best-director nominations for “Blue Velvet” and “Mulholland Drive ... s ambitious yet poorly received adaptation of Frank Herbert’s novel “Dune,” which starred ...

based on the Frank Herbert novel. ‘Our friendship blossomed on Blue Velvet and then Twin Peaks and I always found him to be the most authentically alive person I’d ever met,’ he continued.

If you’ve got a box of old records lying around, it might be a good time to check what’s actually in there. Find out what ...