Refusing the traditional canon and extending the canvas into three-dimensional space, Toranzo Jaeger’s painting compositions evolve into elaborated tableaux and cabinet-like structures ...

The Mohanlal-starrer and Prithviraj Sukumaran-directed L2: Empuraan is the second installment in the planned trilogy and is the sequel to Lucifer. Aman Wadhwa Updated : Mar 30, 2025, 07:44 AM IST | ...

He carried a few extra pounds and sported a goatee as he spoke with fatherly instruction during art lessons from stages and TV screens. Thomas Kinkade was a popular art sensation the likes of ...

"Aeneas and his Family Fleeing Burning Troy" painting by Henry Gibbs, 1654. TATE / VIA REUTERS The Tate Britain gallery is set to reunite the great-grandchildren of a Belgian Jewish art collector ...

An oil painting on canvas believed to have been created by artist Vincent van Gogh, which was purchased at a garage sale for $50 and later valued at $15 million, may be a fake, according to a new ...

Empuraan is a befitting addition to the Lucifer universe, and entertains you through and through despite its extra run-time and extensive world-building. For fans of Mohanlal, this would be an ...

After a brief geopolitical voiceover - about an Afro-China God Axis vs an Indo-Arab Lucifer nexus - and an action sequence in Iran, the story moves to the 2002 riots in west India. It tells the ...

L2 Empuraan Movie Review: The genius of Lucifer and Empuraan is that, despite spanning more than six hours of runtime (two films put together), the filmmakers continue to maintain the suspense about ...

Embedded in the DNA of Lucifer, L2 Empuraan follows the same pattern as its predecessor. It is intentionally slow at times and explosive at other times. An engaging first half and a brilliantly ...

which have included throwing soup on Vincent Van Gogh’s “Sunflowers,” smashing the glass protecting the Magna Carta and spraying orange powder paint on Stonehenge. “Three years after ...

L2 Empuraan movie review: Director Prithviraj Sukumaran's Empuraan is a fitting sequel to Lucifer. Mounted on a grand scale, the film displays convenient writing but makes up with stunning visuals.

Irish artist Francis Bacon had always been intrigued by the male body. Whether it be his ex-boyfriends or his estranged father, painting the male figure was a predominant preoccupation and the primary ...