Raising the open third string to G# at the 1st fret makes this an E7 chord. By combining the root (C), 3rd (E), 5th (G) major 7th (B) and duplicate 3rd (E), we create a Cmaj7. To change this to a ...

Inversions are essential for jazz players, virtuoso cats such as Martin Tyler, but they are super-useful for any player ...

The dominant seventh of a V chord can be shown by the symbol V7. For example, G7 is made by taking the major triad of G (G - B - D) and adding an F (G - B - D - F). A cadence is formed by two ...

Ordinary musical terms such as "dominant seventh chord" or "major seventh chord" refer to points in this space. This space is what mathematicians would call a "cone over the real projective plane ...

The dominant seventh of a V chord can be shown by the symbol V7. For example, G7 is made by taking the major triad of G (G - B - D) and adding an F (G - B - D - F). A cadence is formed by two ...