Steven Wilson tells UCR how he approached restoring the audio for the new version of Pink Floyd's classic concert film.

Plus, the Canadian rocker chats about his upcoming North American tour and shares why running his own record label is "quite liberating." By Melinda Newman To this day, Bryan Adams takes a lesson he ...

Janna Graber embarks on a unique sea journey through three of the North Atlantic’s most compelling destinations — Iceland, ...

At 2,000 square feet with two levels, it was large enough but needed work. Neely-Cohen called on his childhood friend Jacob ...

David Gilna will return to The Lark Concert Hall for his fourth production with his latest storytelling masterpiece: Did I ...

Noah Lenker Last year, Adrianne Lenker released Bright Future, her tender, country-inflected sixth solo studio album that earned a Grammy ...

Adrianne Lenker has announced Live at Revolution Hall, a sprawling, 43-track live album with songs from her solo catalogue as ...

Víkingur Ólafsson had something to prove at the Wigmore Hall. And prove it he did, even if, this time, his Goldberg ...

A lot hung upon the delivery last night of Henning Kraggerud, whom I last witnessed leading performances of Strauss’s ...

The Polish musician is a mainstay of streaming playlists with names like “Calm Vibes.” But she bristles at the notion that ...

GEA Live, in association with Lionsgate, has announced a 60-city national tour of the first-ever “Twilight” in Concert in the U.S. The tour kicks off with a preview performance in Spokane ...